Suffolk
History of the Neighbourhood.

Snape Maltings. An arts complex on the banks of the River Alde at Snape, Suffolk. It is best known for its concert hall, which is one of the main sites of the annual Aldeburgh Festival. The original purpose of the Maltings was the malting of barley for the brewing of beer; local barley, once malted, was sent from here to London and exported to mainland Europe. Today a collection of shops, galleries, restaurants and the Concert Hall fill the old buildings. The Alde Estuary is known for wildlife and river trips. The composer Benjamin Britten was inspired by the vast skies and moody seas of the Suffolk coast, and in 1948, along with singer Peter Pears and writer Eric Crozier, he founded the Aldeburgh Festival. Britten and Pears made a point of educating and supporting young artists. They brought together international stars and emerging talent, including world-renowned figures such as Dietrich Fischer-Dieskau, Yehudi Menuhin, Sviatoslav Richter and Mstislav Rostropovich, and young stars in the making such as Elisabeth Söderström, Murray Perahia and Julian Bream. History. Newson Garrett, a Victorian entrepreneur, built the Maltings in the 1800s; his name appears on plaques around the site. The river made Garrett decide to build a Maltings at this already busy port. Newson was ambitious and determined and in 1841 purchased the business of Osborne and Fennell, corn and coal merchants of Snape Bridge. From this port the Maltings began to evolve, using the River Alde to transport barley across Britain and into Europe on Thames barges. Within three years of his arrival, Newson Garrett was shipping 17,000 quarters of barley a year from Snape. Much of this barley would have been destined for breweries, where it had first to be malted. Newson saw an opportunity. Snape was in the heart of good agricultural land, and halfway between the brewing area of Norwich and London. Demand from the London breweries was growing fast, and it was becoming impractical to make malt and brew beer on the same premises. In 1854 he began malting at Snape, and was soon shipping malt, rather than barley to the breweries. The Maltings process at Snape came to an end in the 1960s as Swonnell and Son went into liquidation and seven acres of industrial buildings were left vacant. Thirty acres of land was offered for sale, including dwellings and an inn. It was difficult to imagine how such functional structures could be put to different use. However George Gooderham, a local farmer and businessman, recognised the potential. He purchased the site and set about finding alternative uses for the buildings. By the 1960s the Aldeburgh Music Festival was outgrowing the limited space available in the Jubilee Hall. Benjamin Britten started to look around for somewhere to build a concert hall. Britten had the vision to see the largest Malthouse, in its magnificent setting overlooking the saltings as a possible site. Negotiations began with George Gooderham and after little more than a year Snape Maltings Concert Hall was ready to be opened by the Queen at the start of the 1967 Aldeburgh Festival. Snape Maltings is a leading destination on the Suffolk Coast with the world famous Concert Hall and rehearsal space as well as independent shops, galleries, restaurants, art exhibitions and workshops. A calendar of events operate throughout the year from the June Festival and August Proms to guided river walks, boat trips, farmers markets and the Aldeburgh Food and Drink Festival.

Aldeburgh is a coastal town in the English county of Suffolk. Located on the River Alde, the town is notable for its Blue Flag shingle beach and fisherman huts where freshly caught fish are sold daily, and the Aldeburgh Yacht Club. The internationally renowned Aldeburgh Festival of arts, which takes place at nearby Snape Maltings, was created in 1948 by the resident and acclaimed composer Benjamin Britten. Alde Burgh means "old fort" although this structure, along with much of the Tudor town, has now been lost to the sea. In the 16th century, Aldeburgh was a leading port, and had a flourishing ship-building industry. Sir Francis Drake's ships Greyhound and Pelican (later renamed Golden Hind) were both built in Aldeburgh. The flagship of the Virginia Company, the Sea Venture is believed to have been built there in 1608. When the River Alde silted up and was unable to accommodate larger ships, the area went into decline. Aldeburgh survived principally as a fishing village until the nineteenth century, when it became popular as a seaside resort. Much of its distinctive and whimsical architecture derives from this period. The river is now home to a yacht club and a sailing club.

The Scallop. On Aldeburgh's beach, a short distance north of the town centre, stands a sculpture, The Scallop. It is dedicated to Benjamin Britten, who used to walk along the beach in the afternoons. Created from stainless steel by Suffolk-based artist Maggi Hambling, it stands four metres high, and was unveiled in November 2003. The edge of the main shell is pierced with the words, "I hear those voices that will not be drowned", taken from Benjamin Britten's opera 'Peter Grimes'.

Southwold is a small town on the North Sea coast, in the Waveney district of the English county of Suffolk. It is located on the North Sea coast at the mouth of the River Blyth within the Suffolk Coast and Heaths Area of Outstanding Natural Beauty. The town is around 11 miles (18 km) south of Lowestoft and 29 miles (47 km) north-east of Ipswich. It is within the parliamentary constituency of Suffolk Coastal. Southwold was mentioned in Domesday Book (1086) as a fishing port, and after the "capricious River Blyth withdrew from Dunwich in 1328, bringing trade to Southwold in the 15th century", it received its town charter from Henry VII in 1489. Over the following centuries, however, a shingle bar built up across the harbour mouth, preventing the town from becoming a major Early Modern port: "The shingle at Southwold Harbour, the mouth of the Blyth, is ever shifting," William Whittaker observed in 1887.

Southwold Lighthouse was commissioned in 1890 and automated and electrified in 1938. It stands as a prominent landmark in the centre of the town and is a Grade II listed building. It is 102 feet (31 m) tall, standing 121 feet (37 m) above sea level. It is built of brick and painted white and has 113 steps around a spiral staircase. The lighthouse replaced three local lighthouses that were under serious threat from coastal erosion. It suffered a fire in its original oil fired lamp just six days after commissioning but survived and today operates a rotating 150 watt lamp with a range of 24 nautical miles (28 mi; 44 km). Guided visits are run by the Southwold Millennium Foundation.

Adnams Brewery The brewery was established in the town by George and Ernest Adnams in 1872 with the purchase of the Sole Bay Brewery which had been established in 1818. In 1890 the brewery was re-built on its site in the centre of the town. The brewery is the town's largest employer and has been modernised and expanded in recent years with the development of an energy efficient brewery, a new distribution centre outside the town and a distillery. In 2011 Adnams Brewery received the Good Pub Guide Brewery of the Year Award.

George Orwell. The writer George Orwell (then known as Eric Blair) spent time as a teenager and in his thirties in Southwold, living at his parents' home. In December 1929, after nearly two years in Paris, Eric Blair returned to England and went directly to his parents' house, which was to remain his base for the next five years. The family was well-established in the town and his sister Avril was running a tea-house there. A plaque can be seen next door to what is now the fish and chip shop at the far end of the High Street.

Sudbury in Suffolk and Thomas Gainsborough. Thomas Gainsborough was born in Sudbury, Suffolk. He was the youngest son of John Gainsborough, a weaver and maker of woolen goods. At the age of thirteen he impressed his father with his penciling skills so that he let him go to London to study art in 1740. In London he first trained under engraver Hubert Gravelot but eventually became associated with William Hogarth and his school. One of his mentors was Francis Hayman. In those years he contributed to the decoration of what is now the Thomas Coram Foundation for Children and the supper boxes at Vauxhall Gardens in the 1740s, Gainsborough married Margaret Burr, an illegitimate daughter of the Duke of Beaufort, who settled a £200 annuity on the couple. The artist's work, then mainly composed of landscape paintings, was not selling very well. He returned to Sudbury in 1748-1749 and concentrated on the painting of portraits. In 1752, he and his family, now including two daughters, moved to Ipswich. Commissions for personal portraits increased, but his clientele included mainly local merchants and squires. He had to borrow against his wife's annuity. Bath. In 1759, Gainsborough and his family moved to Bath. There, he studied portraits by van Dyck and was eventually able to attract a better-paying high society clientele. In 1761, he began to send work to the Society of Arts exhibition in London (now the Royal Society of Arts, of which he was one of the earliest members); and from 1769 on, he submitted works to the Royal Academy's annual exhibitions. He selected portraits of well-known or notorious clients in order to attract attention. These exhibitions helped him acquire a national reputation, and he was invited to become one of the founding members of the Royal Academy in 1769. His relationship with the academy, however, was not an easy one and he stopped exhibiting his paintings there in 1773. London. In 1774, Gainsborough and his family moved to London to live in Schomberg House, Pall Mall. In 1777, he again began to exhibit his paintings at the Royal Academy, including portraits of contemporary celebrities, such as the Duke and Duchess of Cumberland. Exhibitions of his work continued for the next six years. In 1780, he painted the portraits of King George III and his queen and afterwards received many royal commissions. This gave him some influence with the Academy and allowed him to dictate the manner in which he wished his work to be exhibited. However, in 1783, he removed his paintings from the forthcoming exhibition and transferred them to Schomberg House. In 1784, royal painter Allan Ramsay died and the King was obliged to give the job to Gainsborough's rival and Academy president, Joshua Reynolds. Gainsborough remained the Royal Family's favorite painter, however. At his own express wish, he was buried at St. Anne's Church, Kew, where the Family regularly worshipped. In his later years, Gainsborough often painted relatively simple, ordinary landscapes. With Richard Wilson, he was one of the originators of the eighteenth-century British landscape school; though simultaneously, in conjunction with Sir Joshua Reynolds, he was the dominant British portraitist of the second half of the 18th century. He died of cancer on 2 August 1788 at the age of 61 and is interred at St Anne's church at Kew, Surrey (located on Kew Green). He is buried next to Francis Bauer, the famous botanical illustrator. Some of his paintings can be seen at :-http://www.abcgallery.com/G/gainsborough/gainsborough.html